07级民俗学毕业论文的摘要和目录（部分）
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摘 要
文化主体即某一文化的创造者、传承者与享用者，是处于某一具体文化语境中的人。本文以石屏彝族民俗文化传承、传播与文化主体的关系为研究对象，以石屏县大桥乡斐龙村为主要田野调查点，在通过对斐龙村及石屏县其它彝族村寨实地参予调查与访谈的基础上，对石屏彝族民俗文化的传播、传承问题以及石屏彝族民俗文化与文化主体的互动关系作了系统的研究，并在此基础上综合论证了文化主体心理对地方民俗文化传承、传播的重要意义。
文章主要分为五个部分：
绪论部分阐明了本文的研究目的、研究思路以及所采用的研究方法，对近年来关于石屏彝族民俗文化传承、传播的相关研究以及关于文化主体的相关论述做了梳理，并对“文化主体”等几个关键术语作了界定。
第二部分“文化主体与石屏彝族民俗文化”，简述石屏彝族民俗文化的传承、传播现状与本文调查点的情况，着重探索石屏彝族文化主体的文化心态，分析现代化背景下文化主体的精神状态、生存意识与情感取向。
第三部分“文化主体与地方民俗文化传承”，重点论述文化主体心理与文化传承的关系，对地方民俗文化在现代传承中所出现的情况进行了研究，并对文化传承过程中文化主体的困惑心理进行了系统分析。
第四部分“文化主体与地方民俗文化传播”，主要论述地方民俗文化传播与文化主体心理的相互影响，并尝试在文化传播与经济发展之中找出一条双赢的长远之路。
第五部分是结论与思考部分。这一部分在对文化主体与地方民俗文化传承、传播关系问题分析的基础上，对文化主体在民俗文化传承、传播中的重要作用提出自己的观点与看法。
关键词：文化主体；石屏彝族；民俗文化；文化传承；文化传播
Abstract
Cultural perceivers is the main creator of a culture, inheritors and sharer those who are in a specific cultural context. In this paper, take the relationship between ShiPing Yi National folklore cultural inheritance, spread and cultural perceivers as the main research object, in ShiPing County Bridge Township, Village, Fei Long as the main field survey sites, by FeiLong Village and other Yi village in Shiping County, field surveys and interviews, on the relationship between ShiPing Yi National folklore cultural inheritance, spread and cultural perceivers made a systematic study, and on this basis, a comprehensive demonstration has made on the importance of cultural perceivers psychological.
Article is divided into five parts:
Introduction section to clarify the purpose of this paper, research ideas and research methods used, and made a comb to related research in recent years on ShiPing Yi National folklore cultural heritage, communication studies and cultural perceivers, then “cultural perceivers” etc. several key terms were defined.
The second part of the “cultural perceivers and ShiPing Yi National folklore cultural ”, briefly narrate ShiPing Yi culture heritage, communication status and situation of this survey point, focuses on cultural mentality of ShiPing Yi National folklore cultural perceivers，then analyze mental state, sense of survival and emotional orientation of Cultural perceivers under Modern background.
The third part of the “cultural perceivers and local folklore cultural heritage”, focusing on the relationship of Cultural perceivers psychological and cultural inheritance, On the local folk culture heritage in the modern situation arising in the study, and the process of cultural transmission cultural perceivers Puzzle psychology were analyzed.
The fourth part of “cultural perceivers and local folklore culture spread”, mainly discusses interaction on the spread of the local folk culture and cultural perceivers psychological，and try to find a win-win the long-term way between economic development and cultural spread.
The fifth part is the conclusion and thinking part. In the part, through the analysis of the relationship of cultural perceivers and local folklore cultural inheritance，and to put forward own views and opinions on the main role of culture perceivers.
Keywords: cultural perceivers；Shiping Yi National；folklore cultural；cultural inheritance；cultural spread
目 录
绪论 1
一、研究缘起与研究方法 1
（一）研究缘起 1
（二）研究方法 1
二、研究目的、意义及相关研究述评 2
（一）研究目的及意义 2
（二）相关研究述评 3
三、几个关键术语的界定 7
（一）文化主体与民俗文化 7
（二）传承与传播 8
第一章 石屏彝族民俗文化与文化主体 9
一、石屏彝族民俗文化概说 9
（一）石屏彝族概说 9
（二）调查点概况 9
（三）石屏彝族民俗文化的发展现状 10
二、石屏彝族文化主体的文化心态 14
（一）重自然轻人伦 14
（二）重实际求稳定 16
（三）文化包容精神 17
第二章 文化主体与地方民俗文化传承 19
一、文化主体心理与文化传承 19
（一）自信与自卑 19
（二）创新与保守 22
二、传承中的困惑 24
（一）传统与现代的冲突 24
（二）文化主体的双重文化身份 25
（三）民俗文化语境下的边缘人 27
第三章 文化主体与地方民俗文化传播 29
一、石屏彝族民俗文化的传播现状 29
（一）关于文化传播 29
（二）关于石屏彝族民俗文化传播 30
二、文化主体与民俗文化传播的关系 31
（一）文化主体对文化传播的重要作用 31
（二）文化传播对文化主体的影响 35
（三）经济、道德与民俗文化传播 37
第四章 对文化主体与地方民俗文化传承、传播关系的思考 40
一、传承、传播中必须考虑的几个问题 40
（一）正确认识文化主体在民俗文化传承、传播中的意义 40
（二）充分挖掘石屏彝族传统文化中的现代性资源 41
（三）批判地继承发展石屏彝族传统文化 41
二、文体主体的自我定位 42
（一）培养文化主体的文化自觉意识 43
（二）运用现代化的文化视野反对文化全球化 43
（三）增强弱势文化主体的主体观念与传统文化所有权意识 44
结语 46
参考文献 48
附录A 51
在学期间的学术成果及获奖情况 57
后记 58
摘要
千百年间，关公信仰在民间形成、发展并广泛流传，已成为中国民间传统文化的重要组成部分。山西运城，作为关公故里，自古皆因其为生养关羽之乡土而与关公信仰文化有着不解之缘。考察故里民众的关公信仰，则是为突出地域性因素，从微观角度进行深层次的挖掘，以求在弘扬关公文化的过程中，注重发挥地方特色的优势，并给予传统民间文化较好的发展空间。
本文采用田野调查和文献法相结合的研究方法，通过对关公故里之关公信仰的整体历史变迁过程进行阐释，从而分析和探讨传统民间文化与时代变迁之间的内在关系。同时，也能促使人们更好地认识和了解传统民间文化，并能以正确客观的态度来看待传统民间文化。
在论述过程中，笔者首先从关公故里民众的信仰范围、信仰目的、祭祀状况着手阐释，以求揭示其内在涵义。继而，以解州关帝庙为例，围绕其祭祀场所和祭祀活动状况来追溯关公信仰在故里的古今变迁，并分形成、发展、衰落和复兴等阶段进行描述与分析。然后，通过对故土民众信仰关公的原因及关公信仰变迁原因的探析，提出当地民众的内在心理因素是关公信仰成因的基础，并揭示出国家权利在关公信仰变迁过程中的举足轻重之作用。此外，由于现代社会的变迁对于传统文化的冲击，关公信仰在故里将会呈现如何之趋势，又将怎样适应社会变迁而充分发挥其积极作用以及故里在弘扬关公文化的过程中还需注意哪些问题？这些皆为笔者所探讨之具体问题。
关键词：关公信仰；关公故里；民间信仰；文化变迁
Abstract
Over the centuries, the belief in Guangong, which is an important part of the Chinese traditional folk culture, has formed, developed and spread widely among the people. As the hometown of Guangong, the Yuncheng city in the Shanxi province, has always been connected with the culture of belief in Guangong. In order to stress the regional characteristics and research deeply from the certain area, the title has been chosen to discuss, so that people can pay more attention to fully taking the advantage of regional characteristics, and provide the better space for traditional folk culture, in the process of publicity for the belief in Guangong.
In the thesis, the methods are field investigation and documents. And it shows the whole process of changes about the belief in his hometown to explore the inner relationship between the traditional folk culture and the modern society changes. Meanwhile, the cultural tradition could be known, uderstood better and be viewed objectively.
In the thesis, from three aspects of the believers, goals and worship, the author shows the characteristics of the belief to reveal the internal connotation deeply. Meanwhile, as an example of Guandi temple, the author shows changes of the belief in the hometown, revolving around the topic of the worship places and activities, in the form of different stages about formation, development, decline and recovery.
In addition, the author explores the reasons why the hometown people worships Guangong and why the belief has been changing, and advances that the psychology of people is the foundation of the forming reason about belief in Guangong. In another hand, the author proves the rights of States is the important role of the belief change.
Moreover, as the result of cultural shock made by modern social change, what will be the tendency in the future of the belief, and how should the belief play its positive role and adapt the new environment? And also, what problems will attract people’s attention in the process of publicizing the belief culture in the hometown？Those above are the details in the thesis.
Key words: belief in Guangong; Guangong’s hometown; folk belief; cultural change
目录
引言 1
一、选题背景及意义 1
二、文献综述 2
三、研究方法与论文结构安排 4
四、调查点概况 5
（一）自然环境 5
（二）社会环境 5
第一章 关公故里关公信仰的古今变迁 9
一、关公信仰 9
（一）关羽其人 9
（二）关公信仰 10
（三）关公信仰的特征 11
二、关公故里关公信仰的历史轨迹 17
（一）关公信仰的形成期和发展期：南北朝至宋元 17
（二）关公信仰的盛行期和鼎盛期：明清时期 22
（三）关公信仰的衰落期：民国至新中国改革开放前 29
三、新时期关公故里的关公信仰 36
（一）部分宗教政策回顾 36
（二）官祭民祀恢复 37
四、小结 41
（一）灵魂崇拜 41
（二）宗教的推波助澜 41
（三）政治文化背景 43
第二章 关公故里关公信仰的原因及其变迁原因 45
一、关公故里关公信仰的原因探析 45
（一）祖先崇拜 45
（二）乡土情结 47
（三）关公的精神魅力 48
二、关公故里关公信仰的变迁原因探析 49
（一）政治方面 50
（二）经济方面 51
（三）科普教育方面 53
（四）小结 55
第三章 对于关公故里关公信仰的思考 57
一、关公故里关公信仰的发展趋势 57
（一）所谓“不信仰群体”逐渐信仰 57
（二）信仰文化明显作用于地方经济 59
（三）信仰主体的年龄分层 60
（四）信仰的世俗性增强 62
二、关公故里弘扬关公信仰文化的努力方向 63
结论 66
参考文献 67
附录 70
在学期间发表的学术成果及获奖情况 74
后记 75
摘 要
在民俗学界，顾颉刚先生的孟姜女故事研究是中国故事研究的典范之一。在全国大量的孟姜女同题故事中，山东莱芜上王庄村孟姜女故事尚未进入学者们的研究视野。目前，该村正以“孟姜女的故事”为题，申报省级非物质文化遗产。“孟姜女纪铭”碑的发现为该村的“申遗”工作增加了砝码，也激起笔者的研究兴趣。
本文的研究目的是：分析民间文学与特定地域民俗文化的关系；探究现代社会中民间文学发生变异的更多原因；为非物质文化遗产（主要指以本文研究对象为代表的民俗资源）的保护与开发工作提供思路和取向。
本文主要由引言、正文四章、结论与思考六部分组成。引言主要阐释选题缘起、孟姜女故事的国内外研究现状、研究价值及研究创新点。第一章从自然环境、村落历史、代表性民俗等方面描述上王庄村概况。对故事传承的背景进行详细介绍。第二章整理上王庄村孟姜女故事的民间口述文本和官方书面文本，一并列出梦泉生态旅游区孟姜女庙碑文以及《十哭长城》唱词，进行初步分析。第三章指出上王庄村两种文本差异的表现，并对差异的原因进行深入地剖析，得出结论。这一章也是本文的创新点所在。第四章描述上王庄村申遗现状及问题，凸显本文比较研究的价值。最后的结论与思考部分是针对第四章的问题而引发的思考。从田野调查的实际情况出发，从民俗资源（口头与非物质文化遗产）保护与开发的角度探寻解决对策，力求在开发与保护之间找到一个相对的平衡点。
关键词：上王庄村；孟姜女故事；民间口述文本；官方书面文本；非物质文化遗产
Abstract
In the field of folklore, the research of the Story of Meng Jiangnv, represented by Mr. Gu Jiegang’s research on this story, has been one model of Chinese Story research. Among the great number of the story of Meng Jiangnv, which based on similar theme all around the country, the text in Shang Wangzhuang Village, in Laiwu, Shandong province, hasn’t been entered scholars’ study horizon. At present, this village is applying for provincial Oral and Intangible Cultural Heritage named by "Meng Jiangnv Story". The monument of "Meng Jiangnv Ji Ming" discovered in the Village added some weight on the application, and aroused the writer’s interest of study as well.
The purpose of this research is to analysis the relationship between folk literature and folk culture in certain areas, to explore more reasons of folk literature’s change in the modern society, and to provide thought and direction for prevention and development of Oral and Intangible Cultural Heritage (mainly refers to folk resources such as the object of this paper).
This paper mainly includes six components: Introduction, the body of four chapters, Conclusion and Consideration. The main idea of the Introduction is to explain the origin of this paper, the present situation of international research on the story of Meng Jiangnv, the value of this paper, and the innovation point in this paper. Chapter I described the Village condition, includes natural environment, history, folklore, etc. and introduced the inheritance background of the story. Chapter II sorted out the folk oral-text and the official written-text of the story in Shang Wangzhuang Village, and also list the monument introduction in front of the Meng Jiangnv temple and an opera named "10 times cry to the Great Wall" in Mengquan eco-tourism area, then do some primary analysis. Chapter III pointed out the differences between these two kids of text, as well as the reason of these differences, then reached a conclusion. This chapter is the very part which contains the innovations of this paper. Chapter IV described the situation and problems in the application for Oral and Intangible Cultural Heritage in Shang Wangzhuang Village, and distinguishes the value of text-comparing. The last part, Conclusion and Consideration, some thoughts coursed by Chapter IV, was based on the actual conditions of field-work. It explored some solution ways from the perspective of the protection and development of folklore resources(Oral and Intangible Cultural Heritage), and try to find the relative balance between protection and development.
Keywords: Shang Wangzhuang Village; The story of Meng Jiangnv；Folk Oral-Text; Official Written-Text; Oral and Intangible Cultural Heritage
目 录
引 言 1
一、选题的缘起 1
二、国内外研究现状 2
三、研究价值及创新点 4
（一）研究价值 4
（二）创新点 4
第一章 上王庄村概况 5
一、自然环境 5
二、村落历史 7
三、代表性民俗 8
（一）农业民俗 8
（二）人生仪礼 9
第二章 孟姜女故事文本调查 15
一、民间口述文本 15
二、官方书面文本 17
三、梦泉生态旅游区的姜女庙与《十哭长城》 22
第三章 两种异文的比较分析 27
一、差异的表现 28
（一）主人公的出身与籍贯 28
（二）范喜良出走的原因 34
（三）孟姜女的报复和最终归宿 35
二、形成差异的原因 36
（一）故事来源不同 36
（二）故事线索不同 39
（三）传承意识不同 41
第四章 上王庄村申遗工作现状描述及问题分析 43
一、基层文化工作者理论水平偏低、专业人才匮乏 43
（一）专业程度尚显欠缺 43
（二）申报内容稳定性差 44
（三）地名解释略显牵强 46
二、传承人平均文化水平低、老龄化现象严重 47
三、开发保护计划可操作性较差 48
第五章 结论与思考 50
一、增强民众的传承和保护意识 50
二、认定、保护和培养传承人 51
（一）传承人的认定 51
（二）传承人的保护 52
（三）传承人的培养 54
三、专家学者积极行动 54
（一）端正态度 54
（二）发挥作用 55
（三）参与工作 55
参考文献 57
附录A 照片与碑文 61
附录B 表格 70
攻读硕士学位期间发表的论文 71
后记 72
摘 要
本文搜集了相当量的文献资料，从历史学和民俗学的角度，对黄帝祭祀的历史变迁、黄帝祭祀的特点功能和时下黄帝祭祀存在的问题进行探讨和研究。
祭祀包括祭神、祭祖等，是根据宗教或者社会习俗的要求进行的，具有象征意义的一系列行动或仪式。黄帝祭祀作为中华汉民族和部分少数民族特有的文化现象，除了具有一般祭祀意义外，还具有其独特的文化内涵。从现有的资料来看，黄帝祭祀最初起源于民间，为远古黄帝裔部族所特有，以后随着部族融合和交往为其他部族所接受；到封建社会，黄帝祭祀被统治阶级把持继而发展成为国家制度；近代以来，由于社会发生剧烈变化，黄帝祭祀被赋予新的历史文化内涵。沿着历史轨迹，我们可以从中看出黄帝祭祀的历史演变过程，在这些过程中黄帝身份的变化，从而总结出，不同的人群对黄帝的不同诠释：在儒家的眼中他是远古有作为的帝王，道家把他塑造成得道后飞羽升仙的神仙，民众不但认为他是发明家，而且把他当做医神来供奉。文章根据黄帝被作为不同的身份采取不同祭祀礼仪这一特点，探究出黄帝祭祀在不同时期的内在功能特征，分析不同的群体在不同的历史时期人们诠释不同黄帝背后的真正原因。
最后，文章阐述了时下祭黄的意义，认为黄帝祭祀具有加强民族认同和弘扬传统文化的重要意义。紧接着分析了黄帝祭祀中存在的问题，特别是祭祀中过程中民间缺位问题，就这些问题笔者给出了自己的观点和意见。笔者认为要解决这些问题，首先要不断加强当前黄帝祭祀研究，完善炎黄祭祀礼仪，为弘扬传统构建平台。针对当前黄帝祭祀中出现的哄抢资源，重复开发等问题，作者认为应对黄帝资源划分等级，从而避免重复性开发。最后，作者呼吁加强黄帝祭祀中的民俗元素保护，从而不断完善这一文化现象。
关键词：黄帝祭祀；历史演变；特点功能；民间缺位
Abstract
Basing on collection of a large number of literature,The author studys and researchs the historical changes of the Yellow Emperor Sacrifice, the Sacrifice the Yellow Emperor Huangdi characteristic features and the problems of Sacrifice on nowadays,from the perspective of history and folklore.
Sacrifice including ritual, worship, etc., which is based on religious or social customs requirements, has a series of symbolic action or ritual. Yellow Emperor worship as part of the Chinese Han nationality and ethnic-specific cultural phenomenon, in addition to the general character of ritual significance, but also has its unique cultural connotation. From the information currently available, the Yellow Emperor Sacrifice was originally derived from folk, tribal origin for the unique ancient Yellow Emperor, after the integration and interaction with the tribes accepted by other tribes; to the feudal society, the Yellow Emperor Sacrifice was dominated by the ruling class and then become a country system; In modern times, due to dramatic changes in society, the Yellow Emperor Sacrifice was given the new historical and cultural significance. Along the historical trajectory, we can find the historical evolution of worship the Yellow Emperor, Huangdi in the process of identity change. Thus concluded that different people on different interpretations of the Yellow Emperor: In the eyes of confucians,he is an ancient Confucian emperor;Taoist enlightenment to mold him into becoming immortal after the flight feathers of the god;Ordinary people not only think him as an inventor, but also worship him as a god of medicine. According to feature that the Yellow Emperor is takendifferent rites and ceremonies as different status,the thesis Explores the Yellow Emperor Sacrifice at different times of the intrinsic functional characteristics,Analysis of different groups in different interpretations of different historical periods the real reason behind the Yellow Emperor.
Finally, the article expounds the meaning of the Yellow Emperor Sacrifice nowadays, which is to strengthen national identity and promote the importance of traditional culture. Followed by analysis of the problems in the Yellow Emperor Sacrifice, especially the worship in private absence problems, the author gives to these issues their views and opinions. I believe that to solve these problems, we must first continue to enhance the current offerings of the Yellow Emperor, perfect Yanhuang rites and ceremonies, to carry forward the tradition of building platforms. In light of the looting appears in the Yellow Emperor worship resources, duplication of development and other issues, on a hierarchy of resources that deal with the Yellow Emperor, in order to avoid repetitive development. Finally,Sacrifice of the Yellow Emperor is called for the strengthening of the folk elements of protection, so as to continuously improve this cultural phenomenon.
Key words:Yellow Emperor Sacrifice;History change;Features and functions;Folk Absence
目录
引言 1
一、 选题背景，研究的目的及意义 1
（一）选题背景 1
（二）选题的目的及意义 2
二、文献综述 3
（一）关于黄帝及黄帝祭祀的文献 3
（二）黄帝文化及其祭祀的学术论文 5
三、研究内容及方法 6
第一章 黄帝及其祭祀历史概述 7
一、黄帝概述 7
（一）历史记载的黄帝 7
（二）民间传说的黄帝 8
二、黄帝祭祀史概述 9
（一）黄帝祭祀的兴起 9
（二）封建社会黄帝祭祀 10
（三）民国时期黄帝祭祀 12
（四）新中国成立后黄帝祭祀 13
第二章 黄帝祭祀身份演变和历史形象塑造 15
一、黄帝在祭祀过程中的身份演变 15
（一）祖先神身份和天神身份 15
（二）帝王身份和医神身份 16
（三）“人文始祖”身份 17
二、黄帝历史形象塑造 18
（一）儒家心中的圣王 18
（二）道家心中的神仙 19
（三）民众心中的发明家 20
第三章 黄帝祭祀的外在礼仪特点和内在功能特征 22
一、黄帝祭祀的外在礼仪特点 22
（一）黄帝祭祀的仪式类别 22
（二）黄帝祭祀祭文特征 25
二、黄帝祭祀内在功能特征 28
（一）封建社会黄帝祭祀功能 28
（二）民族复兴时期的黄帝祭祀功能 32
第四章 对时下黄帝祭祀的思考 36
一、黄帝祭祀在时下的意义 36
（一）黄帝祭祀与中华民族的民族认同 36
（二）黄帝祭祀与传统文化的弘扬 37
二、时下祭祀黄帝存在的问题 39
（一）一场公祭引发的争论 39
（二）祭祀中的民间缺位 40
三、关于黄帝祭祀的几点建议 41
（一）加强当前黄帝祭祀文化研究 41
（二）进一步完善黄帝祭祀，为弘扬传统构建平台 43
（三）黄帝祭祀应有等级划分，避免重复性开发 44
（四）加强黄帝祭祀中的民俗元素保护 45
参 考 文 献 47
在学位期间发表的学术成果及获奖情况 50
后 记 51
摘 要
乞巧节是一个典型的传统女性民俗节日。本文选取甘肃省陇南汉水流域乞巧节为研究对象，描述了其仪式活动过程，追溯其发生渊源，并对其功能和文化内涵深入开掘，分析了其与牛郎织女传说的关系，揭示了其隐秘幽深的意蕴，探讨了乞巧节千古流传的原因，并延伸出对中国女性民俗发生与流传的文化机制之思考。
文章主要包括绪论、正文、结论三个部分。
绪论部分介绍了文章的写作目的、意义、研究方法，当前研究综述。
正文共分为三章：第一章介绍了甘肃西汉水流域的人文地理概况和乞巧仪式活动过程。
第二章分析了乞巧歌舞的内容，揭示了乞巧节的四大功能：信仰寄托、娱乐游戏、角色体认、社会整合功能及其文化内涵。
第三章追溯了乞巧节在历史上的渊源和兴衰消长，说明乞巧以及古代中国女性民俗，是男女两性权力斗争和文化的大小传统合谋的共同产物。
结语部分，说明了文章写作思路，在对本文结论保留审慎态度的同时，以期在未来以一种开放的眼光对乞巧文化展开更深入的研究。
关键词：乞巧节 非物质文化遗产 文化传承 女性民俗 合谋
Abstract
Begging-for-Deftness Festival is a typical and traditional festival of Chinese female. It is still widespreaded in most parts of China.This thesis chooses the sample of han—river basin in longnan district of Gansu province as the case .Author discribed the process of the Festival ceremony activities, traced its historical origins and analyzed its function , cultural implicitness as well as relation between it and the legend “ the Cowherd and the Girl Weaver”.revealed its deeply and complicated signification, explored the reasons for its handing down through the ages. Furthermore, author exposed the cultural mechanisms about occurrence and spread of chinese female custom.
This thesis is mainly composed of three parts:
Introduction section described the purpose of writing the article, meaning, research methods and the current overview of academic studies.
The body is divided into three chapters: The first chapter described cultural and geographical environment and the process of ritual activities. The second chapter analyzed the song and dance content , revealed the Begging-for-Deftness Festival's four major functions: faith sustenance, entertainment, games, role recognition, social integration and cultural connotations.
Chapter third chapter traceed the origins and ups and downs of Begging-for-Deftness in the history , indicating Begging-for-Deftness and ancient female custom were not only a product of power struggle for both sexes but also an outcome resulted from the conclusion of peace between great tradition and little tradition.
Conclusion explained the idea of writing the thesis , retained a careful attitude towards the conclusion and hoped to go on with further study with an open vision to the Begging-for-Deftness culture in the future.
Key Word ：Begging-for-Deftness Festival . Female custom . Intangible cultural heritage . Culture inheritance. Conspire
目 录
绪论 1
一、对象研究目的与意义 1
二、研究综述 2
三、本文的研究方法 5
第一章 汉水流域乞巧仪式活动考察 7
一、汉水流域人文地理概况 7
二、巧节节日仪式 8
（一）迎巧 9
（二）祭巧 9
（三）唱巧 10
（四）跳麻姐姐 11
（五）拜巧 11
（六）迎水 12
（七）巧饭会餐 13
（八）照瓣卜巧 13
（九）送巧 14
第二章 乞巧仪式活动的文化内涵 16
一、乞巧唱词的内容 16
（一）迎巧歌 16
（二）祭巧歌 17
（三）拜巧歌 18
（四）娱巧歌 19
（五）卜巧歌 21
（六）送巧歌 21
二、乞巧活动的文化内涵 21
（一）时间内涵 21
（二）人物形象内涵 22
（三）仪式内涵 25
（四）乞巧的张力结构与复调叙述内涵 28
三、乞巧仪式活动功能 30
（一）信仰寄托功能 31
（二）娱乐游戏功能、 32
（三）角色体认功能 33
（四）社会整合功能 35
四、乞巧节与牛郎织女传说关联 35
（一）乞巧节起源回溯 35
（二）牛郎织女传说起源回溯 40
（三）牛郎织女传说与乞巧节的关联 42
第三章 乞巧节的渊源流变及其生发传承机制 49
一、乞巧节的历史渊薮 49
（一）风俗积淀深厚 49
（二）古代文献证明 49
（三）域外风俗遗迹的反证 49
二、乞巧节的历史流变 51
（一）珠胎暗结——乞巧节的孕育阶段：夏商西周 52
（二）雏形初具——乞巧节的成长阶段：战国到两晋南北朝 52
（三）枝繁叶茂——乞巧节的兴盛阶段：唐宋元明 53
三、乞巧节的生发与传承机制 54
（一）男女两性权力斗争的合谋。 55
（二）大小传统互相吸收渗透的合谋。 57
结语 59
参考文献 61
攻读学位期间发表的学术论文目录 65
后记 66
摘 要
乞巧节是一个典型的传统女性民俗节日。本文选取甘肃省陇南汉水流域乞巧节为研究对象，描述了其仪式活动过程，追溯其发生渊源，并对其功能和文化内涵深入开掘，分析了其与牛郎织女传说的关系，揭示了其隐秘幽深的意蕴，探讨了乞巧节千古流传的原因，并延伸出对中国女性民俗发生与流传的文化机制之思考。
文章主要包括绪论、正文、结论三个部分。
绪论部分介绍了文章的写作目的、意义、研究方法，当前研究综述。
正文共分为三章：第一章介绍了甘肃西汉水流域的人文地理概况和乞巧仪式活动过程。
第二章分析了乞巧歌舞的内容，揭示了乞巧节的四大功能：信仰寄托、娱乐游戏、角色体认、社会整合功能及其文化内涵。
第三章追溯了乞巧节在历史上的渊源和兴衰消长，说明乞巧以及古代中国女性民俗，是男女两性权力斗争和文化的大小传统合谋的共同产物。
结语部分，说明了文章写作思路，在对本文结论保留审慎态度的同时，以期在未来以一种开放的眼光对乞巧文化展开更深入的研究。
关键词：乞巧节 非物质文化遗产 文化传承 女性民俗 合谋
Abstract
Begging-for-Deftness Festival is a typical and traditional festival of Chinese female. It is still widespreaded in most parts of China.This thesis chooses the sample of han—river basin in longnan district of Gansu province as the case .Author discribed the process of the Festival ceremony activities, traced its historical origins and analyzed its function , cultural implicitness as well as relation between it and the legend “ the Cowherd and the Girl Weaver”.revealed its deeply and complicated signification, explored the reasons for its handing down through the ages. Furthermore, author exposed the cultural mechanisms about occurrence and spread of chinese female custom.
This thesis is mainly composed of three parts:
Introduction section described the purpose of writing the article, meaning, research methods and the current overview of academic studies.
The body is divided into three chapters: The first chapter described cultural and geographical environment and the process of ritual activities. The second chapter analyzed the song and dance content , revealed the Begging-for-Deftness Festival's four major functions: faith sustenance, entertainment, games, role recognition, social integration and cultural connotations.
Chapter third chapter traceed the origins and ups and downs of Begging-for-Deftness in the history , indicating Begging-for-Deftness and ancient female custom were not only a product of power struggle for both sexes but also an outcome resulted from the conclusion of peace between great tradition and little tradition.
Conclusion explained the idea of writing the thesis , retained a careful attitude towards the conclusion and hoped to go on with further study with an open vision to the Begging-for-Deftness culture in the future.
Key Word ：Begging-for-Deftness Festival . Female custom . Intangible cultural heritage . Culture inheritance. Conspire
目 录
绪论 1
一、对象研究目的与意义 1
二、研究综述 2
三、本文的研究方法 5
第一章 汉水流域乞巧仪式活动考察 7
一、汉水流域人文地理概况 7
二、巧节节日仪式 8
（一）迎巧 9
（二）祭巧 9
（三）唱巧 10
（四）跳麻姐姐 11
（五）拜巧 11
（六）迎水 12
（七）巧饭会餐 13
（八）照瓣卜巧 13
（九）送巧 14
第二章 乞巧仪式活动的文化内涵 16
一、乞巧唱词的内容 16
（一）迎巧歌 16
（二）祭巧歌 17
（三）拜巧歌 18
（四）娱巧歌 19
（五）卜巧歌 21
（六）送巧歌 21
二、乞巧活动的文化内涵 21
（一）时间内涵 21
（二）人物形象内涵 22
（三）仪式内涵 25
（四）乞巧的张力结构与复调叙述内涵 28
三、乞巧仪式活动功能 30
（一）信仰寄托功能 31
（二）娱乐游戏功能、 32
（三）角色体认功能 33
（四）社会整合功能 35
四、乞巧节与牛郎织女传说关联 35
（一）乞巧节起源回溯 35
（二）牛郎织女传说起源回溯 40
（三）牛郎织女传说与乞巧节的关联 42
第三章 乞巧节的渊源流变及其生发传承机制 49
一、乞巧节的历史渊薮 49
（一）风俗积淀深厚 49
（二）古代文献证明 49
（三）域外风俗遗迹的反证 49
二、乞巧节的历史流变 51
（一）珠胎暗结——乞巧节的孕育阶段：夏商西周 52
（二）雏形初具——乞巧节的成长阶段：战国到两晋南北朝 52
（三）枝繁叶茂——乞巧节的兴盛阶段：唐宋元明 53
三、乞巧节的生发与传承机制 54
（一）男女两性权力斗争的合谋。 55
（二）大小传统互相吸收渗透的合谋。 57
结语 59
参考文献 61
攻读学位期间发表的学术论文目录 65
后记 66
摘 要
乞巧节是一个典型的传统女性民俗节日。本文选取甘肃省陇南汉水流域乞巧节为研究对象，描述了其仪式活动过程，追溯其发生渊源，并对其功能和文化内涵深入开掘，分析了其与牛郎织女传说的关系，揭示了其隐秘幽深的意蕴，探讨了乞巧节千古流传的原因，并延伸出对中国女性民俗发生与流传的文化机制之思考。
文章主要包括绪论、正文、结论三个部分。
绪论部分介绍了文章的写作目的、意义、研究方法，当前研究综述。
正文共分为三章：第一章介绍了甘肃西汉水流域的人文地理概况和乞巧仪式活动过程。
第二章分析了乞巧歌舞的内容，揭示了乞巧节的四大功能：信仰寄托、娱乐游戏、角色体认、社会整合功能及其文化内涵。
第三章追溯了乞巧节在历史上的渊源和兴衰消长，说明乞巧以及古代中国女性民俗，是男女两性权力斗争和文化的大小传统合谋的共同产物。
结语部分，说明了文章写作思路，在对本文结论保留审慎态度的同时，以期在未来以一种开放的眼光对乞巧文化展开更深入的研究。
关键词：乞巧节 非物质文化遗产 文化传承 女性民俗 合谋
Abstract
Begging-for-Deftness Festival is a typical and traditional festival of Chinese female. It is still widespreaded in most parts of China.This thesis chooses the sample of han—river basin in longnan district of Gansu province as the case .Author discribed the process of the Festival ceremony activities, traced its historical origins and analyzed its function , cultural implicitness as well as relation between it and the legend “ the Cowherd and the Girl Weaver”.revealed its deeply and complicated signification, explored the reasons for its handing down through the ages. Furthermore, author exposed the cultural mechanisms about occurrence and spread of chinese female custom.
This thesis is mainly composed of three parts:
Introduction section described the purpose of writing the article, meaning, research methods and the current overview of academic studies.
The body is divided into three chapters: The first chapter described cultural and geographical environment and the process of ritual activities. The second chapter analyzed the song and dance content , revealed the Begging-for-Deftness Festival's four major functions: faith sustenance, entertainment, games, role recognition, social integration and cultural connotations.
Chapter third chapter traceed the origins and ups and downs of Begging-for-Deftness in the history , indicating Begging-for-Deftness and ancient female custom were not only a product of power struggle for both sexes but also an outcome resulted from the conclusion of peace between great tradition and little tradition.
Conclusion explained the idea of writing the thesis , retained a careful attitude towards the conclusion and hoped to go on with further study with an open vision to the Begging-for-Deftness culture in the future.
Key Word ：Begging-for-Deftness Festival . Female custom . Intangible cultural heritage . Culture inheritance. Conspire
目 录
绪论 1
一、对象研究目的与意义 1
二、研究综述 2
三、本文的研究方法 5
第一章 汉水流域乞巧仪式活动考察 7
一、汉水流域人文地理概况 7
二、巧节节日仪式 8
（一）迎巧 9
（二）祭巧 9
（三）唱巧 10
（四）跳麻姐姐 11
（五）拜巧 11
（六）迎水 12
（七）巧饭会餐 13
（八）照瓣卜巧 13
（九）送巧 14
第二章 乞巧仪式活动的文化内涵 16
一、乞巧唱词的内容 16
（一）迎巧歌 16
（二）祭巧歌 17
（三）拜巧歌 18
（四）娱巧歌 19
（五）卜巧歌 21
（六）送巧歌 21
二、乞巧活动的文化内涵 21
（一）时间内涵 21
（二）人物形象内涵 22
（三）仪式内涵 25
（四）乞巧的张力结构与复调叙述内涵 28
三、乞巧仪式活动功能 30
（一）信仰寄托功能 31
（二）娱乐游戏功能、 32
（三）角色体认功能 33
（四）社会整合功能 35
四、乞巧节与牛郎织女传说关联 35
（一）乞巧节起源回溯 35
（二）牛郎织女传说起源回溯 40
（三）牛郎织女传说与乞巧节的关联 42
第三章 乞巧节的渊源流变及其生发传承机制 49
一、乞巧节的历史渊薮 49
（一）风俗积淀深厚 49
（二）古代文献证明 49
（三）域外风俗遗迹的反证 49
二、乞巧节的历史流变 51
（一）珠胎暗结——乞巧节的孕育阶段：夏商西周 52
（二）雏形初具——乞巧节的成长阶段：战国到两晋南北朝 52
（三）枝繁叶茂——乞巧节的兴盛阶段：唐宋元明 53
三、乞巧节的生发与传承机制 54
（一）男女两性权力斗争的合谋。 55
（二）大小传统互相吸收渗透的合谋。 57
结语 59
参考文献 61
攻读学位期间发表的学术论文目录 65
后记 66
