外文论著:
Adler, J.
1989 ‘Origins of sightseeing’,Annals of Tourism Research16:7-29.
Asch,Timothy.
1993. Future Prospects for the Visualization of Culture: Does the Native Still Exist? InEyes across The Water: Essays onVisual Anthropology and Sociology,ed. Robert M. Boonzajer Flaes and Douglas Harper, 3-9.Amsterdam: Het Spinhuis.
Ascher,Robert.
Myth and Film. Rollwagen,Jack,R,editor:Anthropological Film and Video in the 1990s.Case Studiesin Documentary Filmmaking and Videomaking, Volume No,1.p67-76.The Institute Press,Brockport,New York,1993.
Banks, Marcus.
2001.Visual Methods in Social Research.Oxford:OxfordUniversityPress.
Banks, Marcus, and Morphy, Howard ed.
1997.Rethinking Visual Anthropology.New HavenandLondon:YaleUniversityPress.
Baudrillard, J.
1988Selected Writings.Edited by M. Poster.Cambridge: Polity Press.
Beylie, Claude.
1959 Review of Rouch:Les fils de l’eau.Cahiers du Cinema 91:66-67.
Blacking, John.
1977.Towards An Anthropology of Body,John Blacking ed., The Anthropology of Body,London: Academic Press, p.2
Boas,Franz.
1973[filmed 1930].The Kwakiutl ofBritish Columbia. Edited by Bill Holm. University ofWashingtonBurkeMuseum.
Brand, Stewart.
1976. For God’s Sake, Margaret.Co-Evolutionary Quarterly10(June):32-44. N.d. For God’s Sake, Margaret: Conversation with Gregory Boston and Margaret Mead. www.oikos.org/forgod.htm.
Chan,Kwok-bun,
2005.‘Entertainment: Enjoyment or Struggle?’Visual Anthropology, 18: 103–142,
Chiarelli, B.
2003 IUAES,XV ICAES 2K3,Humankind/Nature Interaction:Past,Present and Future, Florence(ITALY),July5-12.Abstract Book, vol, II. p1304-1384。
Collier,John, Jr.
1967Visual Anthropology: Photography as a Research Method,New York: Holt, Rinehart and Winston.
1988. Visual Anthropology and the Future of Ethnographic Film. InAnthropological Filmmaking: Anthropological Perspectives on the Production of Film and Video for General Public Audiences,ed. Jack R. Rollwagen, 73-96.New York: Harwood Academic.
Collier, John, Jr., and Malcolm Collier.
1986.Visual Anthropology: Photography as a Research Method, Rev. and exp. ed.Albuquerque:UniversityofNew MexicoPress.
Collingwood, R.G.,
1924 Speculum Mentis, or the Map of Knowledge.Oxfordat the Clarendon Press.
Cooley, Charles Horton .
1909:Social Organization: A Study of the Larger Mind,New York: Charles Scribner’ s Sons,1929.
Curtis,Edward S.
2008:Natve Americans, Taschen GmbH
Davey, Gareth.
2008‘Twenty Years of Visual Anthropology’, Visual Anthropology,21:3,194
Davis, Martha.
2002. Film Projectors as Microscopes: Ray L. Birdwhistell and Microanalysis of Interraction(1955-1975).Visual Anthropology Review17, no. 2: 39-49.
De Brigard, E. R.
1975.The History of Ethnographic Film Inprinciples of Visual Anthropology.(ed). Hockings, Paul.Conclusion. InPrinciples of Visual Anthropology.The Hague: Mouton.
De Luiz, Castro Faria.
2001Another look,Rio de Janeiro, Ouro sobre Azul.
Fan Zhiping, Hao Yuejun, Deng Qiyao.
1994 Puji and his lovers.Gottingen International Ethnographic Film Festival,Catalogue, Gottingen, p12.
Francois,Auguste:
1996Dela Merde Chine au Tonkin, Photographies 1886-1904.presentee a Toulouse au musee Paul-Dupuy du l juillet au 30 septembre,avec le concours de la ville de Toulouse.
Gell,Alfred.
1998.Art and Agency: An Anthropological Theory. Clarendon Press.Oxford.
George,Marcus.
1996. Introduction toConnected:Engagements with Media.Late Editions 3.Chicago:UniversityofChicagoPress.
Grimshaw, Anna.
2002.From Observational Cinema to Participatory Cinema—and Back Again? David MacDougall and theDoonSchoolProject.Visual Anthropology Review 18(1-2):80—93.
Guindi, Fadwa El.
2004.Visual Anthropology: Essential Method and Theory.AltaMiraPress.
Haraway,Donna .
1991.Simians, Cyborgs, and Women: The Reinvention of Nature.London: Free Association Books.
Heider, Karl G.
1976.Ethnographic Film.Austin:UniversityofTexasPress.
1991.Indonesian Cinema ,National Culture on Screen, Honululu,UniversityofHawaiiPress
Henley,Paul.
2010.The Adventurer of the Real: Jean Rouch and the craft of ethnographic cinema. TheUniversityofChicagoPress.
Hevia, James L.
2009.The Photography Complex: ExposingBoxer-EraChina(1900-1901), Making Civilization. (ed) Rosalind C. Morris. Photographies East: The Camera and Its Histories in East andSoutheast Asia. p79-119.DurhamandLondon: Duke University Press.
Hockings, Paul.
1975. (ed). Conclusion. InPrinciples of Visual Anthropology. 477-480. The Hague : Mouton.
1988. Ethnographic Filming and the Development of Anthropological Theory. InCinematographic Theory and New Dimensions in Ethnographic Film.Eds. Paul Hockings and Yasuhiro Omori.Osaka:NationalMuseumof Ethnology. Pp.205—224.
Hoffman, Susannah M. 1988.
The Controversy about Kypseli. InAnthropological Filmmaking: Anthropological Perspectives on the Production of Film and Video for General Public Audiences,ed. Jack R. Rollwagan, 161-169.New York: Harwood Academic.
Husmann, Rolf.
2001. A Scientific Approach to Ethnographic Filmmaking: Peter Fuchs and German Visual Anthropology. InOrigins of Visual Anthropology: Putting the Past Together, ed. Rolf Husmann and Beate Engelbrecht.Göttingen: Institut fur den Wissenschaftlichen Film-Knowledge and Media.
Klobe, Tom. ed.
2009 Writing with Thread,UniversityofHawai’IArtGallery.
Lutz,C.A.andCollins, J.L.
1993,Reading National Geographic.Chicago:UniversityofChicagoPress.
1994,The Photograph as an Intersection of Gazes:The Example of National Geographic.Edited by Lucien Taylor:Visualizing Theory: Selected Essays form. V.A.R.1990-1994.Published in 1994 byRoutledge,New York.