视觉(影视)人类学参考文献(续7)

上一篇 / 下一篇  2011-11-26 11:41:47 / 个人分类:视觉人类学

MacDougallDavid.

1995. Beyond Observational Cinema. InPrinciples of Visual Anthropology,ed. Paul Hockings, 115-32.Berlin: Mouton de Gruyter.

1998.Trans cultural Cinema. Edited and Introduction by Lucien YaylorPrinceton University Press,

2001-2002.Colin Young, Ethnographic Film and the Film Culture of the 1960s.Visual Anthropology Review 17(2):81—88.

MacDougall, David and Anna Grimshaw.

2002.Exchange of Emails between.Visual Anthropology Review 18(1-2):94—99.

Macfarlane, Alan.

1994BBC Domesday: The Social Constrution ofBritainon Videodisc.Lucien Taylor ed:Visualizing Theory: Selected Essays form. V.A.R.1990-1994.Published in 1994 byRoutledge,New York.

Malinowski, Bronislaw.

1961Argonauts of the Western Pacific.New York:Dutton, p.25

MarshallJohn.

1993. Filming and Learning. InThe Cinema of John Marshall,ed. Jay Ruby, 1-64.Philadelphia: Harwood Academic.

MeadMargaret.

1959.An Anthropologist at Work: Writings of Ruth Benedict.Boston: Houghton Mifflin.

1977.Letters from the Field 1925-1975.New York: Harper and Row.

Mirzoeff, N.

1998What is visual culture?, in N. Mirzoeff ed,The Visual Culture Reader.London: Routledge, p.3-13.

MitchellT.

1988ColonisingEgypt.Cambridge:CambridgeUniversityPress.

Morris, Rosalind C,

1994.New Worlds from Fragments: Film, Ethnography, and the Representation ofNorthwestCoastCultures.Boulder, Colo,: Westview Press.

Myers, Fred R. 

2002Painting Culture: The Making of an Aboriginal High ArtDurham: Duke University Press.

Nichols, Bill.

1991.Representing Reality:Issues and Concepts in Documentary.IndianaUniversityPress.

Oppitz, Michae.

1989 Kunst der Genauigkeit Munich. from Karsten Krueger.

Past,Future

1985:On the Semantics of Historical TimeCambridge。参见李猛:《拯救谁的历史?》,来源:千龙新闻网。

PiaultColette.

2001. European Festivals, Conferences, Seminars and Networks in VisualAnthropology versus the Historical Development ofEuropeItself during the Same Period. InOrigins of Visual Anthropology: Putting the Past Together,ed.Rolf Husmann and Beate Engelbrecht.Göttingen: Institut fur den Wissenschaftlichen Film-Knowledge and Media. 

Postel, Michel.

1989.Ear Ornaments of AncientIndia, Project for Indian Cultural Studies,Publication II Bombay.

Postel , Michel. and Neven. A and Mankodi .K.

1985.Antiquities of Himachal , Project for Indian Cultural Studies,Volume IBombay.

Riefenstahl, Leni.

1982.Die Nuba. Ungekurzte Ausgabe Februar.

Rock, Joseph F.

1947.TheAncientNa-KhiKingdomof SouthwestChina,HarvardUniversity Press.

RollwagenJack R., ed.

1993.Anthropological Film and Video in the 1990s: Case Studie sin Documentary Filmmaking and Videomaking.Volume 1.Brockport,NY:The Institute Press.

Rose, Gillian.

 2001.Visual MethodologiesAn Introduction to the interpretation of Visual Materials. SAGE Publications.

RouchJean.

1955.The Camera andMan.See paut Hockings ditor:Principles of visual Anthropology, Secong edition Mouton de Gruyter, P.97.

1995. Our Totemic Ancestors and Crazed Masters. InPrinciples of Visual Anthropology,ed. Paul Hockings, 217-232.Berlin: Mouton de Gruyter.

Rouch, J., and E. Fulchignoni.

1989.Conversation between Jean Rouch and Professor Enrico Fulchignoni. Visual Anthropology 2:265-301.

RubyJay.

1983 An Early Attempt at Studying Human Behavior. with a Camera: Franz Boas and the Kwakiutl1930. InMethodology in Anthropological Filmmaking: Papers of the IUAES Intercongress,Amsterdam, 1981, ed. Nico C. R. Bogaart and Henk W. E. R. Ketelaar, 25-38.Göttingen: Edition Herodot.

2002.The Professionalization of Visual Anthropology in theUnited States: The 1960s and 1970s. Visual Anthropology Review 17(2):5—12.

Sherman,Sharon.

1998.Documenting Ourselves: Film, Video and Culture.Lexington: The University Press ofKentucky.

SpannausGunther.

1959. Leitsatze zur Volkerkundlichen und Volkskundlichen Filmdokumentation.Research Film 3, no. 4: 234-238.

Stafford, B.M.

1991Body Criticism: Imaging the Unseen in Enlightenment Art and Science.London: MIT Press.

Stoller, Paul.

1994.Artaud, Rouch, and the Cinema of Cruelty.Lucien Taylor ed:Visualizing Theory: Selected Essays form. V.A.R.1990-1994.Published in 1994 byRoutledge,New York.

Taylor, Lucien, ed.

1994 Visualizing Theory: Selected Essays form. V.A.R.1990-1994.New York:Published by Routledge.

Theye, Thomas.

 1989.Einleitung. Der Geraubte Schatten : Die Photographie als ethnographisches Dokument. Thomas Theye (ed). Pp. 8-32, 41-59. Munchen : Munchner Stadtmuseums.

Toulouse, Musee Georges Labil.

1996.Dela Merde Chine au Tonkin, Photographies 1886-1904. presentee a Toulouse au musee Paul-Dupuy du l juillet au 30 septembre 1996, avec le concours de la ville de Toulouse.

Traube, Elizabeth G.

1994Family matterspostfeminist constructions of a contested site.Edited by Lucien Taylor:Visualizing Theory: Selected Essays form. V.A.R.1990-1994.Published in 1994 byRoutledge,New York.

Turner, Terence.

1990.Visual Media, Cultural Politics andAnthropological Practice: Some Implications of Recent Uses of Film and Video among the Kayapo ofBrazil.Visual Anthropology Review, spring, 8-13.

Turner, Terence.

1995.Representation, Collaboration and Mediation in Contemporary Ethnographic and Indigenous Media. Visual Anthropology Review 11(2):102—6.

UrryJ.

1990The Tourist Gaze: Leisure and Travel in Contemporary Societies.London:Sage.

 


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